Robert Shaw, former curator of the Shelburne Museum, published an article in which he recounts the following: In September 1944, thirty-four decoys from Joel Barber’s legendary collection were picked up by a moving company (Garrigan Moving and Storage, 230E 63 Road Street, New York City) from a folk art gallery at 771 Fifth Avenue, where they had been on exhibition since 1941. Tragically, however, the decoys were never delivered to Barber’s home. Although an extensive search was mounted for them, the birds did not surface during Barber’s lifetime and their fate remains a mystery to this day. “If I could have only one of the lost birds back, this would be it,” Joel Barber related. Barber's regard for the Orne loon was so deep that he created several watercolors of it in use; these are now in storage in the Shelburne Museum collection.
I have known and done business with the granddaughter of lighthouse technician Albert Orne. While he was alive, her father (Cecile Blake) had the rig mate to the Barber decoy for a number of years before giving it to a local store owner. Albert Orne’s granddaughter confirms that this decoy is, in fact, the rig mate to the ancient Loon Decoy sold to Joel Barber many years ago and that as Joel said only two were made in the maker’s hand. It is truly a gem and one of the finest decoys to ever be found in Maine. This decoy was carved in about 1875 and seems to be in mint condition.
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